In fact, just to demonstrate this, I think I'm going to stick with Create Proxies, because we don't need another copy of the media. And also you'll find that a lower powered system will have an easier time playing it back.Īnd down here, this is the option I've got selected at the moment, which is Copy and Create Proxies, which is going to transfer a copy of the media over to our local storage from wherever it comes and make proxies as well. And that's useful if you're taking a copy of the media on the road. The files are smaller so they take up less space in your storage. If you choose to Create Proxies, then a low-resolution copy of your media is created that's easier to play back for your system. This is particularly useful, I suppose, if you're working in a broadcast or where there is a house codec and it's agreed that you're going to stick to that standard. If you choose Transcode, then your media will be transcoded to whatever house codec you might be using. And this just means that wherever your media is at the moment that you ingest it, a copy will be taken over to the storage location you specify. First of all, at the top of the list we've got the option to Copy. Let's take a look at the options that we have. With these options enabled, Adobe Media Encoder performs additional services in the background while you continue to edit in Premiere Pro. In fact, you can get access to these as well by going to the File menu, going into Project Settings and well, you can see them on the list right here. I'm going to click on this button and bring up our Ingest Settings for our project.īefore I go any further, you'll notice that this Ingest Settings tab is actually grouped with the rest of our Project Settings. And right next to that I've got a Settings button.

You'll notice at the top of the media browser, I have this Ingest option that I can enable or disable. In the media browser, I have some 5k RAW media, which is difficult for my current system to play back. Premiere Pro allows you to switch easily between your original high-resolution media and proxy low-resolution files. At the same, time editors want to work on lighter weight devices, which tend to have less processing power.

These media files can be very large and require particularly fast storage to play back.

Adobe Premiere Pro allows you to work with a wide range of formats and codecs natively, including ultra high definition resolutions.

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